keeping audio clear together

Encoders 256 kbit/s

If you´d like some other audio codecs to be added to this section, please drop us a line with your proposal.

 

AAC VBR@264.6 (iTunes 7.6)
     
8.46 (≈9%)

 

 

AAC CBR@250.3 (iTunes 7.5)
     
6.96 (≈4%)

 

 

ATRAC3plus CBR@256.9 (Hi-SP)
     
6.20 (≈4%)

 

 

mp3 CBR@256.1 (Audition 1.5)
     
6.14 (≈3%)

 

 

AAC CBR@257.4 (iTunes 7.1)
     
5.71 (≈3%)

 

 


AAC CBR@257.4 (iTunes 7.1) - MPEG-4 AAC CBR Low Complexity, 257.4 kbit/s FBR
CODER: AAC Encoder from iTunes 7.1.1.5
- Stereo Bit Rate: 256 kbps
- Sample Rate: 44.100 kHz
- Channels: Stereo
- Use Variable Bit Rate Encoding (VBR): No
- Optimize for voice: No
DECODER: iTunes 7.1.1.5

AAC CBR@250.3 (iTunes 7.5) - MPEG-4 AAC CBR Low Complexity, 250.3 kbit/s FBR
CODER: AAC Encoder from iTunes 7.5.0.20
- Stereo Bit Rate: 256 kbps
- Sample Rate: 44.100 kHz
- Channels: Stereo
- Use Variable Bit Rate Encoding (VBR): No
- Optimize for voice: No
DECODER: iTunes 7.5.0.20

AAC VBR@264.6 (iTunes 7.6) - MPEG-4 AAC VBR Low Complexity, 264.6 kbit/s FBR
CODER: AAC Encoder from iTunes 7.6.2.9
- Stereo Bit Rate: 256 kbps
- Sample Rate: 44.100 kHz
- Channels: Stereo
- Use Variable Bit Rate Encoding (VBR): Yes
- Optimize for voice: No
DECODER: iTunes 7.6.2.9

ATRAC3plus CBR@256.9 (Hi-SP) - ATRAC3plus (used in Hi-MD and Sony's solid-state and CD walkman products), 256.9 kbit/s FBR
CODER: SonicStage 3.3
- 44100 Hz Stereo
DECODER: SonicStage 3.3
- "Create an Audio CD"

mp3 CBR@256.1 (Audition 1.5) - MPEG-1 Layer 3 CBR, 256.1 kbit/s FBR
CODER: MP3/mp3PRO(R) Encoder for Adobe Audition 1.5
- Codec: Current - Best Quality
- Allow Mid-Side Joint Stereo: No
- Allow Intensity Joint Stereo: No
- Allow Narrowing of Stereo Image: No
- 44100 Hz Joint Stereo
DECODER: MAD 0.15.2b

 

How to read the ratings

Bar help

The ratings are updated live as new participants add their grades to the system. Rating bar consists of the following elements:

#1 - Device or technology being tested.

#2 - Value of actual perceived audio quality (rating) which is also indicated by a bar length #3. Anchor points could be interpreted as follows:

In most cases using this device/technology:

1.0 – you will hear heavily distorted sound
2.0 – you will hear unpleasant sound artifacts
3.0 – you will hear distinctly audible but tolerable sound artifacts
4.0 – you will hear faintly discernible sound artifacts
5.0 – you will not hear any sound artifacts
above 5.0 – all sound artifacts will be beyond threshold of human perception with corresponding perception margin

#4 and #5 - The high and the low of a rating. As each device is tested under nine different sound items, there are nine different local ratings for a device. In fact, the actual rating #2 is an average of those nine local ratings. The highest and the lowest ones are indicated. Big gap between them means that sound quality of device/technology is not consistent enough. It will vary with type of sound material: music of different genres and complexity, voice with or without music, noisy/clear recordings etc. The lowest local rating is more important in this sense as it indicates worst case behavior of tested device.

#6 - Reliability of rating. It is also indicated by the color of bar - more reliable ratings have less percentage values and darker bars. Reliability depends on number of grades returned by participants. In most cases 5% or less is OK.

#7 - Ruler for convenient measuring of highs and lows.